We need your input! The Illinois Digital Heritage Hub website is now live but that’s not the end of the story. Changes are on the way, guided by the input and insight from site users like you. Please take a 4-question survey to tell us what you think about the website and portal. We welcome suggestions to improve existing content and ideas for new features. And if there’s something you really like, let us know. Thank you for helping us make the website better.
Happy Halloween from the IDHH. Tonight we’re staying in and looking back through our most chilling collections from our contributors. If you’re feeling the boundary between this and other worlds thinning tonight, and looking for a little more, we recommend starting with Cornelia Neltor Anthony and Frank D. Anthony Book Plate Collection at West Chicago Public Library District. The Cornelia Neltor Anthony and Frank D. Anthony Book Plate Collection includes over 6000 individual book plates collected over 12 years by Cornelia Neltor Anthony before she donated her collection in 1935. At one point considered the second largest collection, just behind the Library of Congress’, the book plates show the more eerie side of individual book collecting. Used to claim ownership of a book, to both deter book thieves and provide instructions for those who come across lost books. Here among the ex-libris are depictions of reading and what books contain, including dark and stormy nights:
Reading by candlelight:
or other scenes with archaic and occult moods:
Including fantastic and macabre images of reading:
Book plates pull together the arcane and the scientific, blending what appeals to contemporary readers, including mysticism. These images provide commentary on the purpose of the book, and attitudes people have with reading, including their desires and daydreams. Not all books are spell books, but some spells are to protect them.
These book plates also include a healthy dose of melancholy and death. Pulling from mythic and christian symbolism, and literature itself. The owl symbolizing knowledge, wisdom, magic and skepticism, and the skull as memento mori- the reminder of both death and memory, heighten the fear factor.
For more meditations on fear, reading, and the arcane, including black cats, bats, magic, star-crossed lovers, and hauntings of the skull and owl variety check out the rest of the collection from West Chicago Public Library District on the IDHH Happy Halloween.
Tonight is Game Three of the World Series. To celebrate we’re highlighting a few pictures of baseball in Illinois. There is a rich debate about the origins of baseball, both in terms of its evolution- and place, but we know that by the mid-19th century, baseball was already ingrained into American life and community. Both Union and Confederate soldiers documented baseball games in their diaries, including games played as prisoners of war. After the war communities formed clubs of their own, making baseball one of the first instances of communities establishing their own identities. In Illinois, as early as 1869 the Cairo Bulletin was reporting on games in bordering Missouri. By 1870, the Cairo Deltas and Egyptians were playing in Missouri, Kentucky, and Illinois as clubs and regional leagues began to form across the state. Below are some of the greatest hits from Bess Bower Dunn Museum of Lake County, Cherry Valley Historical Society, Chicago History Museum, and the University of Illinois at Urbana-Champaign showing how the game was played in our communities from the 1880’s onward, and became an international phenomenon in the early 20th century.
The Dunn Museum’s Fort Sheridan Collection includes several images of baseball as a part of life on the Fort.
The Cherry Valley Historical Society Cherry Valley Local History Collection includes team portraits of Cherry Valley Wildcats, and little leaguers from the first half of the century, showing what community sports looked like and how communities supported teams during baseball’s most nostalgic moment.
Cherry Valley Baseball Team, C. 1916. Unknown Photographer. Cherry Valley Historical Society. Cherry Valley Local History Collection. Meanwhile, the Chicago History Museum’s Museum Collection and Prints and Photographs Collection includes artifacts and photographs from Chicago’s MLB teams, the Cubs and the White Sox:
And lastly, the University of Illinois at Urbana-Champaign’s Picture Chicago Collection includes this great picture of the Chicago White Sox and New York Giant’s in front of The Great Sphinx during their 1913-1914 world tour:
Happy October! The Illinois Digital Heritage Hub will be at the Chicago Research Summit and the Illinois Library Association Conference later this month.
Join Keri Cascio, chair of the IDHH Marketing Working Group and Chicago Public Library’s Assistant Chief of Technology, Content and Innovation at the Chicago Research Summit on October 18th. Keri will introduce the new IDHH website and search portal and its potential as a resource for educators and students of Chicago History.
Joshua Lynch, IDHH metadata specialist and webmaster, will present on the IDHH Website and Portal at the Illinois Library Association Annual Conference during both exhibits sessions on Wednesday, October 23rd and Thursday, October 24th. Learn about the IDHH and the DPLA and the website as a tool for new and current contributing institutions, educators and learners, and other user groups.
We look forward to seeing you there and want to hear your thoughts on the site!
This month at the IDHH we’re looking back at how agriculture and industry shaped civic life in small-town Illinois. We’re looking especially at how agriculture and industry created senses of local identity that could be celebrated. It’s now fall, and Illinois’ legacy of harvest festivals, and celebrating the busy growing season as a community is close to our heart. Looking back through our contributor’s collections we found “Pumpkins, Parades, and Pies– Eureka’s Pumpkin Festival Past 1939-1961” from our partner the Eureka Public Library District.
Between 1939 and 1961 the third weekend of September saw the Eureka Pumpkin Festival in Eureka IL. It was first organized by the Eureka Community Association to bolster the local economy after the Great Depression. Its first year, the festival brought 10,000 visitors over the course of the weekend to the small town of 1,700 people. The Eureka Public Library District has gathered over 300 photographs, scans of pamphlets, recipe books, and souvenir ephemera that document the festival. Eureka’s connection with pumpkins began 35 years earlier when Dickinson and Company first canned pumpkin, relying heavily on local farms with their success. Dickinson and Company was bought by Chicago-based Libby, McNeil, and Libby Company in 1929, and with it the recipe for “pumpkin custard”. With Libby’s nationwide distribution network, canned pumpkin became an autumn staple in homes across the country.
Above: Libby’s “custard pumpkin pie” label used in conjunction with Eureka Pumpkin festival c.1946. A Libby’s Pumpkin Can Signed by actor Ronald Reagan c. 1947. Eureka College Ronald Reagan Museum. Permission to display images provided by the Eureka Public Library District.
The festival continued annually for the first three years, but was interrupted and discontinued with the United States’ involvement in World War II after the 1941 festival. Global politics and community life was reflected in the parade’s floats, where both themes of peace, agricultural heritage and social clubs, and anticipating the United States’ entrance in WWII, canning’s contribution to war preparedness.
After WWII, the festivals ballooned to 50,00 people attending. In 1947, then-film star and Eureka College alumnus Ronald Reagan and Governor Dwight H. Green were invited to Eureka to crown Joan Snyder the Pumpkin Queen. The Pumpkin Queen and her attendants were a large part of the parade, in so many ways the face of the other hundreds of coordinators and volunteers who made the festival possible. Photographs of the Queen and her attendants in the collection show an interesting and idiosyncratic spin on mid-century pageants. The promotional material generated for the souvenir booklet (of which all the post-World War II festival’s have been fully scanned as part of the collection) show the Queen and her attendants in a local pumpkin field in full pageant-wear.
In 1959, the centennial celebration included a beard-growing and period-wear contest in addition to the traditional pageant.
The last Eureka Pumpkin Festival was held in September 1961. The November prior, Libby’s closed the Eureka canning factory and moved its operations to the Morton plant. For more on the pumpkin and mid-century american life be sure to visit Eureka Public Library District’s collection. Happy Autumn.
The Illinois Digital Heritage Hub is proud to announce the launch of a brand new website! The site provides a portal to all of the IDHH’s contributors’ rich and unique cultural heritage objects, numbering more than 300,000 and growing.
Visitors can search the catalog by keywords or browse topics, Illinois historical events, locations, people, or formats. Users may also browse by some of the IDHH’s more than 140 contributors. The site also provides documentation for new providers preparing to get started contributing collections.
Special thanks to our providers whose contributions make the IDHH possible. The website was made possible by the DPLA’s Local platform and we thank the Digital Public Library of America’s developers, who provided the out-of-the-box technology infrastructure and necessary modifications for additional pages and features. The IDHH is glad to be a part of this feature development and trusts that it will build on the solid foundation of DPLA Local and empower other DPLA partners. Finally, graduate student assistants, Tath Haver and Kaylen Dwyer made essential contributions toward developing key site features and their work is greatly appreciated.
The website will be undergoing several rounds of updates in the coming months and new features are soon to come. These include more features for educators and students, more browsing options, and, longer term, digital exhibits.
My Name is Tath Haver. I’m a Graduate Student at the School of Information Sciences at The University of Illinois at Urbana-Champaign and a Graduate Assistant working closely with the Illinois Digital Heritage Hub, and now one of the authors of the Illinois Highlights blog.
I’m working on maintaining and increasing the IDHH’s visibility, in part by authoring posts on the blog, developing new site features, and participating in broader hub outreach as ways to encourage access. I will also be assisting in assessing the metadata from our partner’s contributions and assisting in user testing.
Searching through our partner’s digital collections, I’m especially interested in the ways people have documented their civic and everyday lives in Illinois. I’m curious about how their everyday lives reflected their community at a specific point in history, and how this hyper-locality is something that can be highlighted, learned about, and celebrated throughout every part of Illinois. What was a parade in the 1920s like? How did people document their new lawnmower, corn combine, or house? How did communities make sense of changes and stories in their town and across the state?
I’m looking forward to sharing what I find with you as I continue to work through our collections and build a better picture of Illinois. If there are ever any topics you’d like to see highlighted, or if anything else seems exciting, please make full use of the comments section below.
2019 marks the 125th anniversary of the Pullman Strike and Boycott, a momentous event in the history of organized labor in Illinois and the U.S., taking place throughout the late Spring and Summer of 1894. In commemoration of the Pullman Strike, the IDHH examines its place in the history of labor and workers’ rights movements in Illinois and U.S. Collections provided by the Pullman State Historical Site provide particular insight into the event and its cultural and historical milieu. The scholarship of and input from Pullman State Historical Site Services Specialist, Martin Tuohy, was indispensable in developing this post.
The Pullman Strike and Boycott began as a walkout of the Pullman Palace Car Company by shop workers in May 1894. By July, it included 150,000 railroad workers over 20 railroads across 27 states. Pullman workers and allies across the country protested both the particulars of the Pullman workers’ grievances, such as layoffs and deep wage cuts while the Pullman company town maintained its rent rates, as well as the power of capital over workers that the grievances represented. The strike and boycott was part of wider developments in Workers’ Rights organization and came in the wake of several other significant demonstrations in the late 19th century along with the often oppressive responses to grassroots organization by companies and industry leaders. Company founder, George Pullman, played a significant role in exacerbating tensions between workers for obstinately emphasizing the company’s right to rent profits over most workers’ grievances.
Beyond Pullman and throughout the late 19th Century U.S., increased mechanization during the Second Industrial Revolution played a role in depressing wages and an ever increasing division of labor often alienated workers from their work and the products they produced. Moreover, while westward expansion in the late 1860s and early 1870s brought with it an increase in industry and investments, especially those related to railroads, the 1870s and 1880s were marked by significant economic declines. When times were difficult, workers were often hardest hit, facing frequent layoffs and wage cuts between the early 1870s and mid 1890s. In response, workers increasingly organized and acted by facilitating collective bargaining, and striking and boycotting when necessary. Strikes by miners and other factory workers throughout the 1880s and 90s, including the Haymarket Affair, set important precedents for the Pullman Strike. Oppressive responses by capital against unions, activists, and union leaders often left workers feeling, at best, under-represented and, at worst, at the whims of their employer.
The Pullman Strike and Boycott had some key differences from earlier actions, however; instead of organizing via craft unions, the Pullman Workers had the support of the fledgling but formidable American Railway Union (ARU), which included members across a range of professions and company leadership roles. Workers from the Midwest to Washington State struck and boycotted trains with cars built by the Pullman Company. It became the largest and one of the longest work stoppages up to that time in U.S. history and effectively shut down railway travel from the Midwest to the Pacific Northwest. The strike was ultimately broken by a combination of the limited resources of workers after going months without pay, injunctions by federal courts, military force, and the imprisonment of union leaders and activists, including ARU president, Eugene V. Debs. Its leaders indicted or imprisoned and hundreds of its members blacklisted from future employment, the ARU collapsed.
The Pullman Strike precipitated the role of the state as an arbitrator between workers and railroad companies with the passing of the Erdman Act in 1898. This was the first in a series of Congressional acts aimed at regulating and reforming railway labor which laid the foundation for national labor laws enacted in the 1930s. The strike and its aftermath also raised important questions about the proper role of law enforcement, the military, and the state in cases of mass demonstrations within and beyond the realm of workers’ rights and industrial interests. At the local level, the Illinois Supreme Court forced the Pullman Company was forced to sell its residential property and many workers were able to purchase their long-rented abodes. The original town of Pullman is now a National Monument and Illinois State Historic District.
For further reading, refer to Martin Tuohy’s articles on the “Pullman Strike and Boycott” and “George Pullman” in Encyclopedia of U.S. Labor and Working-Class History (2007). All of the IDHH items related to the Pullman Strike can be found here. Explore material related to George Pullman, including correspondence and portraits.
Des Plaines’ collection boast a rich record of the distant past as well, including diaries from the Civil War. This collection boasts several objects, including journals and images and is growing, and is a truly remarkable addition to the many Civil War artifacts available in IDHH collections.
Finally, Des Plaines memory includes selected works of local artist, Edward Dougal (1937-2016). Dougal was a versatile artist with expertise in several forms and a host of media. He was a painter, sculptor, wood worker, and a writer and illustrator of children’s books. His pieces incorporating mirrors are among the most interesting, some of which are featured below.
Happy World Cat Day! Also called International Cat Day, the holiday was first established by the International Fund for Animal Welfare in 2002. However, national holidays celebrating our feline friends have observed in countries around the world for decades. To celebrate, the IDHH spotlights items from Illinois State University’s collections.
First, behold the artwork of talented youngsters who loved their cats enough to immortalize them in pencil and watercolors. The paintings below are from the International Collection of Child Art and were created by children ages 8 through 13 from Colombia, Wales, and the U.S. The children’s attention to detail show how dear their furry friends were.
Next, here are toys from Japan featured from the Ethnology Teaching Collection, including a papier-mâché cat in a basket and the famous good luck charm of the waving cat, or ‘Maneki-Neko’. These figurines were placed in shop windows, inviting customers in and waving good-bye on their way out.