The IDHH contains some content that may be harmful or difficult to view. Our cultural heritage partners collect materials from history, as well as artifacts from many cultures and time periods, to preserve and make available the historical record. Please view the Digital Public Library of America’s (DPLA) Statement on Potentially Harmful Content for further information.
In recognition of Black History Month, the IDHH would like to highlight several collections from our contributors and curated searches of IDHH items that tell different stories about the history of Black people in Illinois:
Gwendolyn Brooks: explore photographs related to Gwendolyn Brooks, Poet Laureate of Illinois and the first African American poet to win the Pulitzer Prize.
EBR African American Cultural Life (Southern Illinois University Edwardsville): a collection containing photographs, posters, and pamphlets centered around Eugene B. Redmond, Poet Laureate of East St. Louis whose work is connected to the Black Arts Movement and Professor Emeritus at SIUE.
EBR Million Man March (Southern Illinois University Edwardsville): a collection containing photographs about the Million Man March, a demonstration by Black men marching to Washington on October 16, 1995, and its second Anniversary celebration.
Timuel D. Black, Jr., Digital Collection (Chicago Public Library): a collection containing handwritten and typed letters and speeches by Timuel D. Black, Jr., civil rights activist, educator, and historian of Black life and politics in Chicago.
The IDHH contains some content that may be harmful or difficult to view. Our cultural heritage partners collect materials from history, as well as artifacts from many cultures and time periods, to preserve and make available the historical record. Please view the Digital Public Library of America’s (DPLA) Statement on Potentially Harmful Content for further information.
In recognition of Black History Month, the IDHH would like to highlight the vibrant history of the black musicians of the historic Maxwell Street Market, the birthplace of Chicago blues. Between 1916 and 1970, six million African Americans moved from the rural Southern United States to the more urban Northeast, Midwest, and West in the Great Migration. Bringing new life to industrial cities like Chicago, one of the many areas in which these new Chicagoans landed was that of Maxwell Street, part of the Near West Side of the city. A bustling residential district, Maxwell Street first appeared on a city map in 1847 and over the next 75 years would become an increasingly diverse neighborhood, earning itself the nickname “Ellis Island of the Midwest”. By the 1920s, the area’s residents were predominantly African American, and these new migrants brought with them the sound of blues music.
In the 1930s and ‘40s, Maxwell Street became known as a place where black musicians could be heard by the greatest number of people as shoppers browsed the wares in the open-air market or inside stores. These street musicians played the acoustic blues of the South, but soon realized that amplification was needed so that they could be heard above the din of the noisy market. Setting up near storefronts, they began to play a blues music using electric guitar and the harmonica, both heavily amplified, often to the point of distortion. Over several decades, the featuring of these instruments and the blending of musical genres gave birth to an electrified, industrial blues, later coined, “Chicago Blues.” Made famous by black musicians on Maxwell Street such as Muddy Waters, Howlin’ Wolf, and Bo Diddley, Chicago blues would find mass appeal through Chicago blues record labels like Chess Records and have a significant influence on early rock musicians like The Rolling Stones.
Here are a few of our favorite items from IDHH collections featuring the music of the famous Maxwell Street Market:
Maxwell Street Market. August 1915. Chicago History Museum. Prints and Photographs Collection. Courtesy of the Chicago History Museum.Aerial view of the Maxwell Street Market. July 1945. Photographed by Americo Grasso. Chicago History Museum. Prints and Photographs Collection. Courtesy of the Chicago History Museum.Jazz with junk. 1959. Photographed by Clarence W. Hines. Chicago History Museum. Prints and Photographs Collection. Courtesy of the Chicago History Museum.Magic show on Maxwell street near Newberry Street. Man pointing in forground. 1966. Photographed by James Newberry. Chicago History Museum. Prints and Photographs Collection. Courtesy of the Chicago History Museum.African American man in straw boater hat on Peoria Street, east of Maxwell Street. 1966. Photographed by James Newberry. Chicago History Museum. Prints and Photographs Collection. Courtesy of the Chicago History Museum.Gospel musicians near Maxwell Street. circa 1971. Photographed by James Newberry. Chicago History Museum. Prints and Photographs Collection. Courtesy of the Chicago History Museum.Woman in white playing the tambourine, on Peoria Street east of Maxwell Street. n.d. Photographed by James Newberry. Chicago History Museum. Prints and Photographs Collection. Courtesy of the Chicago History Museum.
